This gives you maximum flexibility and compatibility when connecting to todays ever-expanding universe of Mac and Windows computers. If it has both, then the choice is yours and may depend mostly on other peripherals you have. The quarter-inch guitar jack provides high-impedance load characteristics suitable for passive and active pickups alike. For even more authentic feel and response when using virtual guitar amp and cabinet plug-ins, use a ZBox guitar impedance adapter.
Multi-channel Audio Interfaces
Digitally controlled analog trim The Audio Express's analog trim circuits deliver clean sound, combined with the precision of digital control. Trim is adjusted at the input, before the mixer, so it applies to all mixes. Mix levels are controlled separately from trim, so you never sacrifice sound quality for a balanced mix. Connect a MIDI keyboard, sound module or control surface, and you are ready to go.
Foot switch Connect any standard momentary foot switch to trigger hands-free punch-ins during recording. Or map the foot switch to any keystrokes you wish in your host audio software.
The Audio Express provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. This technology represents the very latest in extremely high-performance, yet cost-effective digital audio clocking. DDS also allows the Audio Express to maintain an extremely stable clock while resolved to incoming clock sources that have substantially more jitter than the Audio Express itself. Like CueMix, the synchronization features are cross-platform and compatible with all audio sequencer software that supports the ASIO2 sample-accurate sync protocol.
The Audio Express provides driver-level support for resolving multiple interfaces with each other so that their audio streams never drift apart over time during recording or playback. Audio Express feature summary 6-input, 6-output audio interface for Mac and Windows. Stereo analog inputs - on line-level, balanced TRS quarter-inch jacks.
Great for keyboards or other line level-input signals. Stereo main outs - on balanced TRS quarter-inch jacks. Connect directly to powered speakers or other line-level analog destination.
Tascam USx20 | Channel USB Audio Interface / Digital Mixer
Stereo headphone output on quarter-inch jack with independent volume control. Support for standard sample rates up to 96 kHz. Precision Digital Trim - digitally controlled analog trim on all inputs provides adjustments in approximately 1 dB increments. Front-panel mixing and control - each input has its own dedicated volume knob. Control multiple mixes with clear feedback from front panel LEDs and metering. It comes with TotalMix FX that looks quite old-school in terms of design, where it mimics a hardware mixer.
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Good microphones like the Neumann U47 sound extremely great when paired with the RME BabyFace, without the need for another premium pre-amp. On the front panel, the onboard meters clearly shows your input and output levels. You can also switch them to select In, Out or Mix. The Mix Mode conversely allows you to control input mixes independently to each output to control monitor feeds.
The BabyFace Pro is not exactly a cheap audio interface but its one of the best top-end interface you can buy in terms of sound, component quality, routing possibilities, solidness, and flexibility. Not exactly priced or branded as a premium, great-sounding audio interface, the Roland Studio CAPTURE is one of the best audio interfaces you can buy in terms of stability, hassle-free, and sound, given its price.
Some producers have also claimed that the Capture interface sounds better than the Apogee Ensemble audio interface. The sound quality of the Roland Capture far exceeds many audio interfaces at its price range. It is a little strange to me to find that the Capture is still using USB 2. Simply press the dedicated button on the front panel and play your instruments. It also works for an entire drum kit or multiple microphone setup, so you can imagine how useful that could be. And with the internal software DSP, you could create different mix routing and send reverb effects for monitoring.
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The reverb feature itself would be welcomed by many singers and musicians who prefer listening to effected tracks while recording. Seriously a great buy: Roland Studio Capture. Fitted with one of the cleanest pre-amps you can find in an audio interface, the mic channels features pre-converter sends for you to work with outboard processing as well, should you prefer.
The interface also has support for Thunderbolt connectivity, so you can connect them to your other peripherals with Thunderbolt. Designed for the road, the interface is built very solid within an aluminum alloy chassis and is meant to last many years. Expect super low latency on this interface as well. Note, if you need FireWire support, you could look up for the mk3 Hybrid that is identical to the MOTU x, except, instead of a Thunderbolt connection, it has FireWire in its place.
Great performance at a slightly higher price: MOTU x. What do you think of this list? Also share with us your thoughts. What audio interfaces are you currently using in your studio? My M-Audio was nice, but the PC drivers always needed to be reinstalled. It became very annoying! It becomes very annoying!
Yeah The FireStudio is definitely one solid interface. The unit itself contains two input channels with an instrument input on channel one and an XLR microphone input on channel two. You can adjust your monitor mix using the dedicated knob that allows you to get a good balance between the channel that you are recording and any playback you are recording to. There is also a dedicated main output level control. The Alpha is the perfect choice for those that want to try home recording for the first time or for users needing a simple audio interface that they can easily carry around with them.
Buy from Juno Specifications: To help you get the best input signal you are also afforded dedicated gain controls for both input channels. One of the advantages of this unit is in its portability, making it ideal for working with a laptop in, or out, of the studio, and being bus powered it means that there is no need to pack cumbersome power cables. The iO2 Express also ships with a light edition of the hugely popular Steinberg Cubase music production software, and being class compliant, it means that you can simply plug your iO2 Express into your Mac or PC without the hassle of installing troublesome drivers.
Add to this the stereo level meter for visual monitoring and you have a unit that is as flexible as it is affordable for producers on the move. To help you get a good clear signal going into your computer there is visual feedback in the form of a halo LED indicator around each gain knob. When there is a level signal going in, it shows green and as it gets hotter it changes colour with red indicating peak level.
You can also toggle between direct monitoring of the input channels and playback, and if you are using a good quality condenser microphone, then there is phantom power to help you get an optimum signal. Simple two channel USB audio interfaces are ideal for busy musicians and producers that are constantly moving from plane to hotel room, and the MTrack Plus from M-Audio makes for a compelling travel companion. The switchable 48 volts helps you get the most from your mics and there is a switch that will allow you to plug guitars directly into the interface for recording without any added fuss.
Impressively, the MTrack Plus from M-Audio comes with two sets of complementary software in the shape of Pro Tools Express, that needs little introduction, and Ignite from AIR Music Technology, which is software designed to allow you to quickly arrange musical ideas, featuring software instruments as well as supporting audio recording with effects that can be added later; you can also export.
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Sometimes recording projects come along that require an interface that can handle more than a few input and output channels at the same time. There are two headphone ports on the front of the unit with independent level control, easing monitoring duties during recording.
You can plug your studio monitors directly into the Onyx Blackbird, although it features two other stereo outputs, making three stereo pairs in all, each featuring independent control. The unit comes with Blackbird control DSP Matrix mixer that gives you extended routing options as well as the ability to perform quick mixes in any given situation including live recording.
For simultaneous multi-channel recording, with plenty of expansion options at an affordable price, it would be a wise move to consider the Onyx Blackbird from Mackie. MOTU are the brand that developed the first Firewire audio interface in the form of the hugely successful , a product which has cemented their position as a household name in music production circles.
One of the unique aspects of this unit is the built in CueMix FX that include impressive on-board DSP effects including reverbs, EQ and compression on every input and output. Implementing the effects can be done from either the front panel on the unit itself or from the cross-platform mixing software and once set up, you are then able to unhook the unit from your computer as long as the power is plugged in and use the unit in standalone mode.
This simple two in and two out design can serve both Mac OSX and iOS devices, bringing a professional touch to an even wider pool of music creators. There is also a separate headphone output that can be assigned a separate stereo output using the supplied Maestro software. In typical Apogee fashion, the unit has a single push encoder on the front face, along with two touch sensitive pads and small but clear LED meters for visual reference of your ingoing and outgoing levels.
The 24 bit recording quality the unit allows will allow enable you to record a stereo instrument or a vocalist and guitarist using most DAWs including GarageBand, Logic and Pro Tools. One of the most respected audio interface brands to emerge in recent times has been RME. In line with its mobile music creation credentials, the RME Fireface UCX can also operate in class compliant mode, allowing it to connect to your iPad via a camera connection kit, giving you eight ins and a stereo output. There is no difference in sound quality between audio created on an iPad to that created on a Mac or PC due to the fact that, with the iPad, it uses its own steady clock rather than the USB clock.